The papers of Hollywood lyricist and University of Pennsylvania alumnus Ray Evans (Wharton class of 1936) were donated to the Kislak Center for Special Collections, Rare Books and Manuscripts in 2011 by the Ray and Wyn Ritchie Evans Foundation. Among the treasures in the collection is the songster’s diary, kept during the war years of 1939-1945. Written in pen on looseleaf notebook paper and bound by a small three ring binder, it may have been one of several diaries kept by Evans, but today it is the only one that survives.
Ray Evans is best known for producing with his songwriting partner Jay Livingston (Penn class of 1937) hit songs such as “Mona Lisa” (famously sung by Nat King Cole), “Que Sera Sera” (Doris Day), and the holiday favorite “Silver Bells” (made famous by Bing Crosby). These tunes were featured in movies of their day, winning Academy Awards for “Mona Lisa” and “Que Sera Sera” as well as their earlier song “Buttons and Bows.” How Ray Evans got to this point may be traced back to his years as a struggling songwriter, first in New York and then in Hollywood.
As a means to encourage exploration of these formative years, Evans’ lyrics and music in general, and his collection of personal and professional papers here at Penn we have transcribed and digitized the diary, presenting it as an online flip book. Images of the diary pages and a transcription for easier reading are presented side by side. And supplemental material from the papers has been scanned and linked to the diary pages for further exploration.
Simply trying to make ends meet, the young Ray Evans is often conflicted about his future. Should he continue to pursue a dream of “making it” in show business or should he buckle down and put his college degree in business to work? For a time, neither course seems to offer much hope, and Ray is revealed through the early pages of the diary to be dejected and feeling blue. Ray also has poor luck with women and his friendship and working relationship with Jay Livingston is often strained.
The song-writing team put forth a good bit of energy to make connections in the New York music scene. In the fall of 1939 they met the producers Ole Olsen and Chic Johnson, who starred in their own Broadway review, Hellzapoppin’, at the Winter Garden Theater. Jay and Ray auditioned for the pair and eventually received several commissions for songs that appeared in the show and in other productions. One of their first commercial successes was the song “G’Bye Now,” which made the Hit Parade in 1941. Continue reading